noise, a few decks below

is a hub for experimental music & its by-products. it aims to promote the activities of the greek experimental/underground (or whatever one might call it) music scene, as well as its various links internationally.

busy days ahead



good stuff happening in athens in the next few days, other than the noise-below extravaganza called ‘infinity’ (http://blog.noise-below.org/2010/08/29/infinity/)

dead gum / angelos kyriou + kostis kilymis /kerkville
monday, nov 8
@ six d.o.g.s project space
http://www.sixdogs.gr/
21:00, free entrance

Francisco Meirino, Mecha/Orga
wednesday, nov 10
@ knot gallery
http://knotarts.blogspot.com/
20:30, 5 euro

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also a Danae Stefanou solo concert
@ knot on sunday, nov 14.
but no poster available for that one yet..

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Δύo ημέρες αφιερωμένες στον ηχητικό ηλεκτρονικό αυτοσχεδιασμό



Παρασκευή 22 Οκτωβρίου

Goosli Noise (Ρωσία)
Adam_is
Γεώργιος Καραμανωλάκης
Plink

Σάββατο 23 Οκτωβρίου

Analog Suicide, (Batur Sonmez) (Τουρκία)
Dead Gum
Mecha/Orga
Τάσος Στάμου

20.30 – 00.00
Eίσοδος ελεύθερη
Α.Σ.Κ.Τ Πειραιώς 256 , Ρέντη . Aίθουσα Θεάτρου.

Πρόγραμμα Μεταπτυχιακών Σπουδών «Ψηφιακές Μορφές Τέχνης» της Α.Σ.Κ.Τ

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Tallinn (field recording mini-series)



by yiorgis sakellariou

In August 2010, I was artist-in-residency at Polymer culture factory in Tallinn, Estonia. During the residency I made several field recording sessions and some of the captured sounds were used in concerts I played in while touring the Baltic countries.

Tallinn is a tourist city, especially the center, the old medieval town. Nonetheless, it is also a very “user friendly” and cozy place for walking and exploring. I was near the seaside, hundreds of meters away from the harbor but the hum of the machines from the ships, combined with distant traffic noise, created a deep drone. On top of that, the sound of the wind blowing through the leaves of a tree and the occasional seagull and other birds’ sounds made an attractive sonic atmosphere. It was characteristic Tallinn ambience witch soon became very familiar –and pleasant- for my ears…

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outside my window



a quick note to say that there are 2 new posts on ‘outside my window’ a ‘bell’s field recording by yiorgis sakellariou and a documentation of a memorable night with the fairytales of anthi thanou & panagiotis koulelis, recorded by nikos kyriazopoulos.

http://thenoisehitthemastheyopenedthedoor.blogspot.com/

love & noise
nicolas

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mecha/orga news



Residency at Polymer Culture Factory, Tallinn-Estonia
From August 16 to September 8

Upcoming concerts
August 25: Helikoosolek @ MoKS, Tartu-Estonia
August 27: Kultuuritehase Festival, Tallinn-Estonia
September 2: XI20, Vilnius-Lithuania (presented by Arma)
September 3: Insait, Kaunas-Lithuania (presented by Arma)
September 4: Andrejsala, Riga-Latvia
September 6: Servataguse Muusika, Tallinn-Estonia

Workshop
August 28 at Kultuuritehase Festival

more info:www.mecha-orga.com

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Kythira (field recording mini-series)



by yiorgis sakellariou

Last summer I visited the island of Kithira and stayed there for a few days. Besides the expected “beautiful sunny beaches”, which, I have to admit, I don’t really like that much, the island also offered some quite more interesting landscapes (and soundscapes of course), like the one near the village of Mylopotamos. The little river and the summer insects provided an ideal soundtrack for a summer’s day. Indeed relaxing, but also relatively loud, the “sounds of nature”, rich and full of micro-details, always attract my attention and motivate me to record them. That’s a far better way to spend my holidays than getting sunburnt on a –disturbingly- windy beach.

kithira11

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mecha/orga news



yiorgis sakellariou’s (mecha/orga) work can be heard, amongst other artists, in the new entr’acte release, E84

Mecha/Orga, Adam Asnan,
Pauwel De Buck, Joshua Convey,
Adrián Democ

CD (E84)

this is a “various artists” release

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more info here

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more knot, 3 shows this weekend in athens



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mohammad
(coti k./nikos veliotis/ilios)
friday, feb 5 20:15

mecha/orga & giwrgos poulios
saturday, feb 6 20:30

ΔΔ
(danae stefanou, dimitra lazaridou-chatzigoga)
sunday, feb 7 20:00

at knot gallery
Mixalakopoulou 206 & Pyrrou
Athens

more info here: http://knotarts.blogspot.com/

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On the way to Palmyra, Syria (field recording mini-series)



by yiorgis sakellariou

Here’s another location from Syria, this time from the south of the country. I left Damascus to visit the ancient city of Palmyra. On the highway, the “Iraq =>” signs made me feel quite weird as I was naively thinking that a small mistake by the driver could lead us to really unknown territories. After a few hours, we had to make a necessary stop. In the middle of nowhere was this little resting place/café called “Café Baghdad”. Although I was actually in a desert, I did not experience the completely silent soundscape, like I did the previous time I was in a similar environment (that was in Wadi Rum, in Jordan). The reason was the constant motor sound of the water pump that was probably used to provide electricity to “Baghdad Café”. I could not resist getting very close and record it. This sample was the only sound that I used for the opening track of my “61:50” release on the Triple Bath label.

syria

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Yaroslavl, Russia (field recording mini-series)



by yiorgis sakellariou

The city of Yaroslavl was the last stop of my tour in Russia, in October 2008. Before the concert, I and the other participants of the festival had some free time and a walk along the Volga River was proved to be an excellent suggestion. I was listening to and recording the machine which was being used in the construction of a dock, hammering in long steel stakes in the ground. A rhythmic metallic loop was created, resonating all over the area, as the sound was also reverberating at the other side of the river. My excitement was obvious and so my fellow artists were kind and patient enough to wait for me until the hammering process ended. Of course, the idea of immediately editing the recording and using it in the evening’s performance did cross my mind but I find myself rather unwieldy in these situations. Needless to say though, the specific sample of the recording was finally used in a concert, at Kinky Kong, in Athens, a few months later.

yaroslavl-russia

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2 locations by yiorgis sakellariou (field recording mini-series)



in what we hope will become a regular “column”, we present two locations, as recorded, photographed and described by yiorgis sakellariou (mecha/orga). The original idea was to examine the relation between the act of field-recording itself and its use in an artist’s finished work. To focus on what the recordist sees/looks for in a location chosen to be recorded and in turn how he/she sees the recorded material, when the time comes to use it in one’s actual creation.

in this case, because he usually manipulates field recordings beyond recognition, yiorgis felt he didn’t have much to add as far as the subsequent use of said recordings was concerned. He chose simply to document these two locations in a form of audio diary. You might want to turn the volume slightly up, or not -depends on whether you like your field recordings raw or medium-rare.

feel free to contact us with any suggestions for future entries.

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2 locations by yiorgis sakellariou

collodi_italy

Collodi, Tuscany, Italy

This little village in Tuscany is famous for giving its name to the author of Pinocchio, Carlo Collodi, and attracts visitors mostly because of the “Pinocchio theme park” which seemed to me a bit like a “mini-Disneyland”. Nevertheless, the Tuscan beauty and atmosphere is not absent. I walked around the first houses of the village and very soon discovered some very quiet and calm paths, ideal for getting lost in. I immediately heard the discreet and continuous sound that was “dominating” in the area. Hundreds of birds, sitting on the trees, were participating in a “concert” which is always welcome to hear to and, although cliché-d, the birds’ song is definitely enjoyable. It did not take much time before another characteristic sound was added: Church bells, a new minimalistic “orchestra” joined into the soundscape. I had no idea what was the (probably) religious reason for which the bells were ringing for, but nonetheless their sound felt like it was making a loose counterpoint with the birdsong, I was very glad I had the “Record” button already pressed down…

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aleppo_syria

Aleppo, Syria

Aleppo is a city in the north of Syria, close to the border with Turkey. I was relaxing in my hotel room when a characteristic sound of an Arabic country was heard: the chant of the muezzin, calling the faithful to pray. As in Collodi, in Italy, again, a sound of religious origin dominated. The Muslims, instead of the bells, use the human voice, which itself adds a special dimension to the ambience. Besides the interest in the chant itself (the scales, the singing technique, the language used, the reverb caused by the amplification), from the fist time I heard the muezzin, I was fascinated by the fact that his sound can be heard only in some specific countries of the world. Its rarity, for an inhabitant of a non-Muslim country, makes the listening experience even more important…

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introducing triple bath



triple bath is the child of themis pantelopoulos (Nokalypse). it is a label of “fine mysterious experimental musics”, publishing them in a steady flow of cdr editions.

it’s two freshest titles are:

trb0151 trb014

xedh – vinduskarm cdr

new album by the basque electroacoustic composer miguel a. garcia, under the ‘xedh’ alias. mystery evident in each grain of sound, in each cluster of tones, in every resonant aural texture. made of of synthetic sound, acoustic sound and field recordings.

mecha/orga – 61:50 cdr

sixth mecha/orga album. some very diverse work, heavy on the field recordings and lighter on computer synthesis this time.

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