noise, a few decks below

is a hub for experimental music & its by-products. it aims to promote the activities of the greek experimental/underground (or whatever one might call it) music scene, as well as its various links internationally.

nokalypse on wax



nokalypse - repeated in an indefinitely alternating series of thoughts LP

co-published by absurd & entr’acte in the uk, comes the latest work from Themistoklis Pantelopoulos. Mostly known around these offices as the head of the triple bath label, he really excels himself as a kick-ass laptop musician on this one, brewing a strong blend of electroacoustic elements with a classic feel written all over them. The sounds drift and swell in large  masses, providing serious healing for all senses considered. The music also benefits from a quite loose but definitely very considered structure (no dry sequencing here) which a very strong and dynamic direction to the two compositions in the record.

hurry and get your copy from absurd (250 pressed, and they won’t stick around waiting)

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http://nokalypse.gr/

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  • Author: kostis
  • Published: Jul 18th, 2009
  • Category: news

Suspended Instants



while in many places in the world, music-loving communities have learned to make-do with little & be self-sufficient, we should not forget (& respect) the fact that there are some venues around the world that have also earned rightful support from their respective states and governments. Sadly though, in the past few years, we have witnessed a wave of withdrawal of public funding around the world that greatly affects these initiatives. The situation gets more serious as these are usually the very venues that form the backbone of the international community, providing stable stages and nurturing strong centres of cultural exchange.

with all the above in mind, the news that has been circulating in the past week is this:

(from les Instants Chavirés, Montreuil, France -flip over your improv cds, quite a few of them were recorded there)

On Thursday July 2nd 2009 we were shocked to learn that the balance of the operational subsidy allocated to our Association by the General Council of the Seine-Saint-Denis Department had been slashed by no less than 25,000€ – a drop of more of 19%. This in addition to a 7,000€ cut in our municipal subsidy (at the beginning of the year, the town of Montreuil had announced a reduction of 15,000€, 7000€ being the amount eventually decided upon by the end of June). This means that we have lost 32,000€ in 2009.

The lack of funding has forced us to cancel our Autumn season of concerts, video projections and exhibitions, in its entirety. Even maintaining a strict minimum of programmed events would lead to a budgetary deficit that we simply could not contemplate.

We have serious questions regarding how the Council reached its decision, and what factors might have influenced it in so doing, and to date do not know on what opinions or analyses the said decision was based. We also deplore that the decision was taken so late.

It would seem that the Department has deliberately adopted a policy designed to weaken our Association, resulting in a slow asphyxiation that will put the entire future of the Instants Chavirés in jeopardy. How are we to plan for a 2010 season in such conditions?

“Art must be where it’s indispensible, which means everywhere” – Claude Lévêque, artist

We maintain that an intermediary cultural space like the Instants Chavirés is an essential complement to existing institutions, and that it has made a major contribution to the diversity of the cultural offer, playing an essential role in discovering and promoting art for over 18 years.

Does the Seine-Saint-Denis Department still have the political will to maintain an internationally acclaimed artspace dedicated to contemporary creation, however modest it may be?

We demand the setting up of a round table with all our institutional partners to rehabilitate a relation which is clearly deteriorating. It is essential to redefine the financial framework together, regarding the unique nature of our artistic commitment as well as our geographical and structural specificity.

We urge you then to sign the online petition (http://instants.mollo.fr), and write to Claude Bartolone, President of the General Council of Seine-Saint-Denis, and / or to the Mayor of Montreuil, Dominique Voynet, to inform them of what the Instants Chavirés represents in the local, national and international cultural landscape, and express your own commitment to the lasting nature of this project.

You can address your correspondence directly to us at the following email address soutiens[at]instantschavires.com, or by regular mail to Instants Chavirés, 7 Rue Richard Lenoir 93100 Montreuil-France. We undertake to forward it to the parties concerned.

Please circulate this communiqué as widely as you can, amongst everyone you know. Thank you.

Association Muzziques – les Instants Chavirés

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summer haze batch from triple bath



trb018 trb019 trb020

yet another string of cdrs from triple bath. the sax/guitar duo of regular rules, soundscape work from mystified on ‘frigid radiance‘ and a second triple bath release from the quartet of Mike Johnston, Mike Gilmore, Mike Khoury & Kirk Lucas, titled ‘impermanence‘. since i neither have any of the discs at hand, nor any sort of promo text to plagiarize, you’ll be better of clicking here to go to triple bath’s own webpage where you can get a pretty good taste of the albums (online samples and the lot…)

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in a related note, triple bath’s driving force, Themistoklis Pantelopoulos, has yet another release now out, following a cdr that echomusic put out only a month ago. this time it’s an lp, co-released by uk’s entr’acte and our very own absurd. i’ll be posting the details on that one in the coming days but, really, don’t wait for me to do so before going ahead and ordering one; it’s only 250 copies and pretty smokin’

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  • Author: kostis
  • Published: Jul 7th, 2009
  • Category: news

taste of the unnamed



unnamed

the Unnamed Music Festival was one of the more rewarding initiatives of the first half of this year. Currated by another timbre‘s Simon Reynell, it was held in mid-june in the cities of London and Leeds and featured an intricate mix of players that reflected its currators tastes as much as it reflected the until-recently imperceptible changes in the waters of improvised music. Some of those players came from the latest wave of London-based improvisers, some were more closely aligned to the EAI school of musicians, a couple of elder statesmen were included for good measure as well. Though on paper things didn’t look too spiky, the sets were full of subtle and rewarding moments. We witnessed strong working groups given ample space to flesh out their music (Tom Chant/Angharad Davies/Benedict Drew/John Edwards and Rhodri Davies/Louisa Martin/Lee Patterson with Lucio Capece filling in for missing members), delicate attempts to beauty (Sebastian Lexer/Aleks Kolkowski and Clive Bell/Matt Milton/Bechir Saade) and two sets full-on risk-taking improvisation (Paul Abbott/Jamie Coleman/Grundik Kasyansky/Ute Kanngiesser & the guns-blazing trio of Keith Rowe/Martin Küchen/Seymour Wright). There was also the duo set of Jez riley French & Patrick Farmer, but this was in Leeds, so i cannot comment.

the main reason for this post is not to bore you with my one-line reflections, but to point to the way of a download page that is now up at the another timbre webpage:

http://www.anothertimbre.com/downloads.html

in this page, and until september, you’ll be able to listen and download extracts from the music performed at the festival (from all but one of the sets that took place). Some very interesting music there, and quite different at places from the way i remember it -the workings of human senses never cease to confound.

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relevant links:
unnamed impressions, by al jones @ bagatellen (http://www.bagatellen.com/?p=2390)
richard pinnell’s blog entries around the festival (http://www.thewatchfulear.com/?p=1156 & http://www.thewatchfulear.com/?p=1161)

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